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This book explores the expectations, experiences, and reactions of Allied servicemen and women who served in the wartime Pacific and viewed the South Pacific through the lens of Hollywood´s South Seas. Based on extensive archival research, it explores the intersections between military experiences and cultural history.

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Pardon My Sarong: Dorothy Lamour´s Legacy The Wartime Search for the South Seas Through Hollywood´s Lens: Prewar Visions of the South Pacific Wartime Tourists on a Hollywood Jungle Set: Anticipating the South Seas and Encountering the South Pacific ´Dorothy Lamour Syndrome´: South Seas Dreams and South Pacific Disappointments ´That Gal´s Getting Whiter Every Day´: Servicemen´s Encounters with Native Women Combating South Seas Disillusionment: A South Pacific Education ´Solitary Jewels´ or ´Brazen, Shameless Hussies´?: Allied Women at War ´Black White Men´: African-American Encounters with the Wartime Pacific Rainbow Island: Wartime Hollywood and the South Seas South Seas Savior: James A. Michener and Postwar Visions of the South Pacific The Queen of the Hollywood Islands

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"Soldiers and sailors from the US, Australia, and New Zealand who fought in the South Seas were united by their military service against the Japanese and by their preconceived notion of what they expected to find when they arrived in the war zone. Service personnel were, in a sense, engaged in war tourism; while expecting sandy beaches and hula girls, they usually found a much grimmer world. The authors assert that the gap between expectation and reality often caused cognitive dissonance bordering on psychological trauma. Recommended." - CHOICE

"A fascinating, compelling look inside the Pacific War, with terrific new material on issues of gender and race during that pivotal time." - William H. Chafe, Alice Mary Baldwin Professor of History, Duke University, former president of the Organization of American Historians

"This deeply scholarly, disturbing, and often-hilarious history about the invention of the ´South Seas´ is cultural history at its most absorbing. Sean Brawley and Chris Dixon´s evocation of Hollywood´s surreal portrayal of the war-torn South Pacific and the dangers of the so-called ´Dorothy Lamour Syndrome´ is not only packed with jaw-dropping stories, but sheds a light on issues of sexuality, gender, and national identity." - Joanna Bourke, professor, Birkbeck College, University of London

"Based on extensive research and a sure reading of both culture and history, Hollywood´s South Seas and the Pacific War analyzes not only the impact of the Second World War on the South Pacific and the interchange between Polynesian peoples and cultures and outsiders - black, white, male, female - but the impact of the war upon the ideal of the South Pacific - the ´South Seas´ or the ´Dorothy Lamour syndrome.´´South Seas fantasies´ did not survive wartime South Pacific realities for most, and the book provides an important contribution to our understanding of the cultural interactions of the Second World War, and between combatants and indigenous populations." - Jeffrey Grey, professor, Australian Defence Force Academy

"Basing their judgments on an impressive range of archival collections, novels, films and other sources, Sean Brawley and Chris Dixon have written an engaging contribution to the cultural history of the wider Allied as well as the American military experience of World War II in the Pacific theater. Their study of Hollywood´s imagined South Pacific as a tropical paradise, and of the wartime collision of that concept with the region´s social realities and cultural complexity, will enrich Pacific as well as military history. It should also appeal to enthusiasts for the popular culture of the South Pacific film genre." - Ian Tyrrell, Scientia Professor of History, University of New South Wales

"Brawley and Dixon ensure that Hollywood´s South Seas films will never seem the same again." - Kerry Howe, emeritus professor of Pacific History at Massey University, New Zealand

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