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Twemlow explores five key moments over the past sixty years of product design criticism. From the mid-1950s through the 1960s, for example, critics including Reyner Banham, Deborah Allen, and Richard Hamilton wrote about the ways people actually used design, and invented a new kind of criticism. At the 1970 International Design Conference in Aspen, environmental activists protested the design establishment´s lack of political engagement. In the 1980s, left-leaning cultural critics introduced ideology to British design criticism. In the 1990s, dueling London exhibits offered alternative views of contemporary design. And in the early 2000s, professional critics were challenged by energetic design bloggers. Through the years, Twemlow shows, critics either sifted the trash and assigned value or attempted to detect, diagnose, and treat the sickness of a consumer society.

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Alice Twemlow, a writer, lecturer, and curator, is Co-head of the Masters Program in Design Curating and Writing at Design Academy Eindhoven, the Netherlands. From 2008 to 2016, she was Founding Chair of the Masters Program in Design Research, Writing, and Criticism at the School of Visual Arts in New York.

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