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Poetics of the Body examines representations of the body in the work of four important twentieth-century poets: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker. Drawing on both past and present discussions regarding the place of the body in relation to Western philosophy, gender, sexuality, desire, creative production, and narrative, this study reveals how the poetic bodies in the poetry of these women negotiate the intersecting ideologies that attempt to regulate the body, its characteristics, and its behaviors. Ultimately, this dynamic book considers what it means to possess a body.

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Introduction Theorizing the Body Textual and Corporeal Convergence: Edna St. Vincent Millay ´Dress Up! Dress Up and Dance at Carnival´: Elizabeth Bishop´s Poetic Bodies Writing the Body Palimpsest: Marilyn Chin ´Persistently on paper we exist´: Stories and Desire on and through the Body: Marilyn Hacker Interview with Marilyn Chin Conclusion

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"Cucinella s intense book about bodily representation provides a new way of seeing the work of Millay, Bishop, Chin, and Hacker. Its synthetic theorizations, brilliant close readings, and final dialogue with Chin bring the study of the represented female body to a new plateau. An essential book." - Steven Gould Axelrod, author of Sylvia Plath: The Wound and the Cure of Words and co-editor of The New Anthology of American Poetry, Volumes 1-3

"Poetics of the Body offers a first-rank conversation about the cultural politics of the body in recent American women s poetry. I predict that Cucinella s readings of Millay, Bishop, Chin, and Hacker will place her solidly at the forefront of a new wave of feminist scholars who write about poetry. This work is essential for anyone interested in the body s often contentious relationship to gender, sexuality, race, ethnicity, and class." - Camille Roman, author of Elizabeth Bishop s World War II-Cold War View and co-editor of The Women & Language Debate: A Sourcebook

"Cucinella s Poetics of the Body is a refreshing book. By listening attentively to the distinct story of the body that each of her four poets has to tell, Cucinella offers a compelling and diverse story of American women s poetry in the twentieth and twenty-first centuries. For Cucinella, a poem is not a mask for the poet to hide behind but a place to explore and perform the problems, fears, challenges, and pleasures of the body. In elegant, theoretically sophisticated readings that ground each poets work in place, time, and experience, a unique poetics of the body comes into focus - Edna St. Vincent Millay s commodified body, Elizabeth Bishop s ambiguous body, Marilyn Chin s investigations of the body in the context of the Chinese American immigrant experience, and Marilyn Hacker s complex intertwining of body and language. It is finally, though, the exuberance Cucinella conveys, the delight she takes in poetic craft, and the careful attention she pays to a poet s body of work, that marks this book as worth reading." - Bethany Hicok, author of Degrees of Freedom: American Women Poets and the Women s College, 1905-1955

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