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Jeanette Winterson

Why Be Happy When You Could Be Normal


2012. 240 S. 198 mm
Verlag/Jahr: RANDOM HOUSE UK 2012
ISBN: 0-09-955609-X (009955609X)
Neue ISBN: 978-0-09-955609-1 (9780099556091)

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Die schockierende, herzzerreissende und oftmals sehr lustige Geschichte der wahren Geschichte hinter ´Oranges are not the only Fruit´.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.

In 1985 Jeanette Winterson´s first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette´s version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.

This book is that story´s the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness, about lessons in love, the search for a mother and a journey into madness and out again. It is generous, honest and true.´Unforgettable... It´s the best book I have ever read about the cost of growing up´ Daisy Goodwin, Sunday Times
"Unforgettable... It´s the best book I have ever read about the cost of growing up." Daisy Goodwin Sunday Times
Jeanette Winterson OBE was born in Manchester. Adopted by Pentecostal parents she was raised to be a missionary. This did and didn´t work out.

Discovering early the power of books she left home at 16 to live in a Mini and get on with her education. After graduating from Oxford University she worked for a while in the theatre and published her first novel at 25. Oranges Are Not The Only Fruit is based on her own upbringing but using herself as a fictional character. She scripted the novel into a BAFTA-winning BBC drama. 27 years later she re-visited that material in the bestselling memoir Why Be Happy When You Could Be Normal? She has written 10 novels for adults, as well as children´s books, non-fiction and screenplays. She writes regularly for the Guardian. She lives in the Cotswolds in a wood and in Spitalfields, London.

She believes that art is for everyone and it is her mission to prove it.