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This book offers the first accessible but conceptually sophisticated account of the critical geographies of creativity. It will develop a decisive discussion of creativity, not just for geographers, but for interdisciplinary scholars of creativity more generally. The unique contribution this text makes therefore, is to acknowledge the diversity of ideas and practices of creativity, not in order to collapse them, but rather to turn a critical lens onto these relations, drawing out both the similarities, but also the productive and critical tensions that exist between these different ideas of creativity and the forms of creative practices.

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